Albert Oehlen (born 17 September 1954) is a German painter, installation artist and musician. He lives and works in Bühler, Switzerland[Sebastian Frenzel |date 1 January 2010), „Stress findet statt ..." Monopol Magazin.] and Segovia, Spain.[ Albert Oehlen Skarstedt Gallery, New York.]
Early life and education
Born in
Krefeld,
West Germany, in 1954,
Oehlen moved to
Berlin in 1977, where he worked as a waiter and decorator with his friend, the artist Werner Büttner.
[ Albert Oehlen, Frühstück now (Self-Portrait) (1984) Christie's Post-War & Contemporary Art Evening Auction, 1 July 2014, London.] He graduated from the University of Fine Arts of Hamburg in 1978. Along with Martin Kippenberger and
Georg Herold, Oehlen was a member of Berlin "bad boy" group.
Work
Closely associated with the
Cologne art scene, Oehlen was a member of the Lord Jim Lodge, along with Martin Kippenberger among others. His art is related to the
Neue Wilde movement.
He has more recently been described as a 'free radical'.
[Glen O'Brien (28 April 2009) "Albert Oehlen" (interview), Interview Magazine. Retrieved 2013-09-26.]
Influenced by other German painters such as
Georg Baselitz,
Sigmar Polke and
Gerhard Richter, Oehlen focuses on the process of painting itself.
[ Albert Oehlen: I Will Always Champion Good Painting, 7 July – 3 September 2006 Whitechapel Gallery, London.] During the 1980s he began combining abstract and figurative elements of painting in his works, as part of a reaction to the prevailing Neo-Expressionist aesthetic of the time.
In the following years, he worked within self-imposed, often absurd, parameters. He used only gray tones for his "Grey" paintings and limited himself to red, yellow, and blue for another series of what he calls "bad" paintings that included his infamous 1986 portrait of
Adolf Hitler.
[Sean O’Hagan (15 May 2015), Albert Oehlen: The Change Artist W.] In his paintings of the late 1990s, each piece consists of smears and lines of paint Oehlen brushed and sprayed over collaged imagery that had been transferred to canvas by the type of gigantic inkjet printers used to manufacture billboards.
[David Pagel (8 May 1998), Art Review Los Angeles Times.]
In 2002, Oehlen exhibited the "Self-Portraits" series which included eight self-portraits among them Frühstück Now (Self-Portrait)(1984), Self-Portrait With Open Mouth (2001) and Self-Portrait as a Dutch Woman (1983).
In Oehlen's recent work, flat, figurative cut-outs-all the products of computer-aided design (CAD), and gestural strokes of oil paint trade places in the service of collage.[ Albert Oehlen, 3 March – 7 April 2012 Gagosian Gallery, New York.] In his recent Finger Paintings, color-blocked advertisements are an extension of the canvas, providing fragmented, readymade surfaces for Oehlen's visceral markings, made with his hands, as well as brushes, rags, and spray-cans.[ Albert Oehlen: New Paintings, 6 June – 18 July 2014 Gagosian Gallery, Los Angeles.]
In 2014 Skarstedt Gallery, New York hosted Oehlen' "Fabric Paintings" exhibition, featuring fourteen of the twenty paintings made from 1992 to 1996, and mostly kept in his studio.
Music
In the 1990s, Oehlen briefly ran his own independent label, Leiterwagen, putting out experimental electronica.
Since the late 1990s Oehlen has played in the bands
Red Krayola and Van Oehlen. References to music are frequent in his paintings and drawings.
[ Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, 22 April 2009 – 4 January 2010 Museum of Modern Art, New York.] His artwork is on CDs by Gastr del Sol, Arthur Russell, and Brooklyn-based band Child Abuse.
Teaching
Oehlen was Professor of Painting at the Kunstakademie Düsseldorf from 2000 to 2009.
Personal life
Oehlen is the brother of fellow artist
Markus Oehlen, and their father was also an artist.
He lives with his wife, Esther Freund, and their three children in a village near Bühler.
Reception
Criticism
In 2013
ArtDaily described Oehlen as "one of the most influential, but also one of the most controversial of contemporary painters". Art curator Achim Hochdörfer explained that “It is as if Oehlen were continually out-tricking painting. The intrinsic and extrinsic enemies of painting — avant-garde and new technologies — are brought into the picture, and clichés like beauty or virtuosity are smuggled in cunningly".
Art critic
Peter Schjeldahl wrote on his work in 2015: "There is as much philosophical heft to what he won't allow himself, in the ways of order and balance, as in the stuttering virtuosities of what he does. His pictures possess no unity of composition, only unremitting energy. Everywhere your eye goes, it finds things to engage it; they just don't add up. There are stabs of beauty in passages that reveal Oehlen to be, almost grudgungly, a fantastic colorist".
His paintings are also frequently compared with
David Salle's.
However his work has not been met with universal approval. Philippe Dagen, writing in
Le Monde about Oehlen's 2011 exhibition in Nîmes, concluded that he was "of only limited importance. With about 30 canvases he reveals his system with absolute, but unfortunately appalling, clarity." His paintings were devoid of "any form of expression or psychic density".
His 2007 painting,
Loa, is now part of the UK's
Tate Collection.
[ Loa by Albert Oehlen, BBC – Your Paintings. Retrieved 2013-09-26.]
Art market
The Galerie Max Hetzler gave Oehlen his first solo show in 1981.
At a 2014 Christie's auction in London, one of Oehlen's self-portraits from 1984 was sold for $1.8 million, roughly three times its $670,000 high estimate.
At a March 2017 Christie's auction, Albert's
Self-Portrait with Palette sold for $3,623,230.
In June 2019, at a Sotheby's auction in London, his
Self-Portrait with Empty Hands sold to dealer Per Skarstedt for $7,542,157, a new record for the artist.
[ Bacon, Freud and Saville Top Sotheby’s Evening Contemporary Sale, Artlyst, 27 June 2019]
Exhibitions
Oehlen has shown work internationally in many exhibitions including
I Will Always Champion Good Painting at Whitechapel Art Gallery in London (2006),
Grounswell at the Museum of Modern Art in New York (2005),
Provins – Legende at Museet for Samtidskunst
in
Roskilde, Denmark and
Spiegelbilder 1982–1985 at Max Hetzler gallery in
Berlin (2005). In 2013 a retrospective of his entire oeuvre from the 1980s to 2005 consisting of over 80 works was held at
MUMOK,
Vienna.
[ "mumok presents first comprehensive overview in Austria of Albert Oehlen's work", ArtDaily.org, 16 June 2013. Retrieved 2013-09-26.] Oehlen's work was included in the
Venice Biennale.
[ Albert Oehlen: "Home & Garden" Annex, 17 June – 4 September 2015 Gagosian Gallery, New York.] A survey of more than 30 years of work was exhibited at the Cleveland Museum of Art from 4 December 2016 until 12 March 2017.
Public collections
The works of Albert Oehlen are held, among others, in the following public collections:
-
Art Institute of Chicago
[ Art Institute of Chicago]
-
Fondation Louis Vuitton, Paris
[ Fondation Louis Vuitton]
-
Fonds National d'Art Contemporain, Puteaux
[ Fonds National d'Art Contemporain]
-
Hamburger Kunsthalle, Hamburg
[ Hamburger Kunsthalle]
-
Musée National d'Art Moderne, Paris
[ Musée National d'Art Moderne]
-
Museum für Moderne Kunst (MMK), Frankfurt/Main
[ Museum für Moderne Kunst]
-
Museum of Contemporary Art Chicago
[ Museum of Contemporary Art Chicago]
-
Museum of Contemporary Art, Los Angeles
[ Museum of Contemporary Art, Los Angeles]
-
Museum Ludwig, Cologne
[Köln, Museum Ludwig, Inv.-Nr. ML/Dep. 7192, Leihgabe as of 12.05.1996]
-
Museum of Modern Art, New York
[ Museum of Modern Art, New York]
-
Museo Nacional Centro de Arte Reina Sofía, Madrid
[ Museo Nacional Centro de Arte Reina Sofía]
-
Pinakothek der Moderne, Munich
[ Pinakothek der Moderne]
-
Saatchi Gallery, London
[ Saatchi Gallery]
-
San Francisco Museum of Modern Art
[ San Francisco Museum of Modern Art]
-
Tate Modern, London
[ Tate Modern]
Further reading
External links
